Guns N’ Roses, Chili Peppers in Rock Hall

Guns N’ Roses and the Faces were inducted their first time on the ballot. The Chili Peppers had to wait until their second try, and the Beastie Boys and Nyro were denied twice before making it this time around.

NEW YORK Welcome to the Rock and Roll Hall of Fame, Guns N’ Roses.

Other inductees include Freddie King for early influence; rock promoter Don Kirshner, who died earlier this year, receives the Ahmet Ertegun award; and Tom Dowd, Glyn Johns and Cosimo Matassa will be honored for musical excellence.

The Rock and Roll Hall of fame induction ceremony will be held in Cleveland, where the rock hall is based, on April 14. It will be shown on HBO in May.

The Beastie Boys (Adam Yauch, Mike Diamond and Adam Horovitz) are among the pioneers of rap. The first white act to make real inroads in the emerging genre, they were known initially for boorish party music, but would develop into a group critically acclaimed for its musicality, experimenting with different soundscapes, even producing an instrumental album.

But it wasn’t just women who were denied entry into the rock hall for next year. Voters also passed on hip-hop pioneers Eric B. & Rakim, War, the Cure and the Spinners.

The seminal rock band of the late 1980s and early `90s, best known for hits like “Welcome to the Jungle,” “Sweet Child O’ Mine” and “November Rain,” leads the 2012 class of inductees announced on Wednesday. Also making the cut is the hip-hop trio Beastie Boys; rockers the Red Hot Chili Peppers; the late singer/songwriter Laura Nyro; Donovan; and influential British rock group The Small Faces/The Faces, which included Rod Stewart and Rolling Stones guitarist Ronnie Wood.

Guns N’ Roses blazed on the rock scene in 1987 with their official debut, “Appetite for Destruction.” Fronted by siren-voiced singer Axl Rose, with Slash and Izzy Stradlin on guitars, Duff McKagan on bass and Steven Adler on drums, the group dominated music with its aggressive rock grooves. Early in their career they were criticized for lyrics in the song “One in a Million” deemed as homophobic, misogynistic and racist. They were also defined by their dysfunction, gleefully embodying the mantra of sex, drugs and rock and roll.

The band sold millions and millions of albums, providing a sharp contrast to a pop world defined by the likes of Madonna and Michael Jackson. But the group’s turmoil, often on display before the whole world, would cause the core to fall apart by 1996. Their induction should lead to talk once again of a possible reunion, at least for the induction ceremony.

Nyro, who wrote such hits the 5th Dimension’s “Wedding Bell Blues” and Blood Sweat & Tears’ “And When I Die,” is the only female act to make it this time around. The hall passed on Donna Summer, Joan Jett and the Blackhearts, Heart and Rufus with Chaka Khan, who were on the ballot for 2012.

“Well it’s quite a thrill and honor to make it in the Hall of Fame a second time,” Stewart said in a statement. “We (The Faces) were always synonymous with a good party and with this list of fellow artists being inducted I’m looking forward to (it) … and it’s a hell of a good reason to reunite and celebrate with my old mates.”

Their trajectory was the opposite of the Chili Peppers. Despite troubles that included the drug-related death of guitarist Hillel Slovak and the departure of guitarist John Frusciante, the band, fronted by Anthony Kiedis, with Flea on bass, drummer Chad Smith and guitarist Josh Klinghoffer, released its 10th album, “I’m With You,” this year.

Donovan is best known for trippy hits like “Mellow Yellow.”

“I feel an infinite energy from what we are doing and looking forward to taking this togetherness we are forging out on tour … So hearing this news about the hall of fame really seems like it has extra significance for me. To be recognized this way seems especially full and profound,” he said. He also cited the contributions from Slovak and Frusciante.

Both Stewart and Wood will become second-time members of the Rock Hall (Stewart was inducted as a solo artist in 1994 and Wood as part of the Rolling Stones in 1989) for the Small Faces/The Faces, a key rock group that developed as British invasion was peaking. Among their hits was the song “Stay With Me.”

___

In a statement on the band’s website, Flea expressed his excitement about the honor.

Online:

http://www.Rockhall.org

___

Nekesa Mumbi Moody is the AP’s music editor. Follow her at http://www.twitter.com/nekesamumbi

Jackson doctor arrives at courthouse for verdict

The jury reached its verdict Monday after deliberating for less than nine hours. Jackson’s family is also at the courthouse.

The doctor charged in the death of Michael Jackson has arrived at a Los Angeles courthouse for the verdict in the involuntary manslaughter case.

Opera star Domingo lauded in London as one of a kind

For one, unlike many other members of the opera royalty, Domingo does not do hissy fits, tantrums and last-minute cancellations.

“There’s a great impatience in careers. If you’ve got a beautiful lyrical voice, your voice can grow over time, but if you push it too soon into heavier roles this takes a toll on the voice. We’ve seen it happen over and over and over again.”

“IMPATIENCE” THREATENS FUTURE

Instead, it seems, the man with the golden voice and acting abilities appears to be loved just as much for his professionalism and generosity on and off stage.

“They don’t make them like that any more,” he added. “And more’s the pity. Domingo belongs to Grand Opera in a way that few male singers do today. He’s also a real trouper in a way that virtually none are.”

“No-one dies like Placido Domingo,” he wrote of his on-stage demise in Simon Boccanegra.

DON’T CLAP TOO MUCH

For Domingo, the Royal Opera House was in some ways “unbeatable,” not least because audiences did not applaud for too long.

“This house has always been enormous, I mean the warmth of the public, the company like a family,” he told Reuters and London’s Evening Standard in a backstage interview.

Still dressed in the long gowns of his Simon Boccanegra costume and surrounded by fans and colleagues, he added: “I think the public in London is amazing because you know in some theatres maybe you have anything between half and hour and 40 minutes of curtain calls.

“In London I think what’s so absolutely amazing is the way they react and they kind of respect the artist … 10 minutes of London applause, it is equivalent of any other house’s half an hour or 40 minutes because it’s really like an explosion.”

Sharing the stage with Domingo at the concert were four Covent Garden debutants, underlining the singer’s engagement with discovering new talent.

“This is my big thing, to be able to create new artists with my competition and with my young artist programs,” Domingo said, speaking in English. “It’s really the future when you see these people.”

Asked whether he was optimistic about opera’s future, he replied: “I believe opera is forever, as long as there is sensibility in people.”

And addressing the economic crisis that has put the notoriously expensive art form out of the reach of many fans, he said: “Always there have been crises and this is of course one of the most difficult times.

“I think it’s possible to encourage people to work more with co-productions and sometimes you have to cut a little bit the repertoire and the performances, but it is going to be back.”

(Editing by Steve Addison)

“We live in a world where everybody is, you know, ‘the next young thing’ and ‘the next prodigy’ and the ‘next superstar kid’, and now you see what a real career is about. It’s built over time.

Antonio Pappano, music director at the Royal Opera House, who conducted Domingo, said the experience was less nerve-racking than some might expect.

The sellout crowd paying up to 225 pounds ($360) a seat saw Domingo perform the final acts of three of his favorite Verdi operas.

“It’s incredibly comforting because … in his voice there’s history and there’s time,” he said backstage after the performance.

Domingo recently switched to baritone, and performed the title roles in the closing scenes of “Rigoletto” and “Simon Boccanegra.”

LONDON (Reuters) Spanish singer Placido Domingo marked his 40th anniversary at London’s Royal Opera House with a gala concert late Thursday that was greeted with one of the longest and loudest curtain calls the venue has seen in years.

“You’ll never hear anyone in the industry say a bad word about him,” said veteran opera photographer Rob Moore, who was at Covent Garden in 1971 when Domingo made his debut there.

But he also voiced concerns that future Domingos may not be given space to develop.

Yet amid the celebrations for the 70-year-old’s distinguished career, there came warnings that his like may not be seen again in a time when finding the “next big thing” could deny singers the time to develop into genuine greats.

Adrian Hamilton of the Independent newspaper said in his four-star review that Domingo “may have lost the full throat of youth,” but argued his dramatic powers were at their height.

In “Otello,” he sang the title role written for a tenor, the register that made him one of the most famous singers of his generation with Luciano Pavarotti and Jose Carreras.

Funeral planned for Heavy D at historic NY church

Grace Baptist Church of Mount Vernon announced Friday that the funeral for Heavy D had been scheduled for Nov. 18.

The New York-born rapper died at a Los Angeles hospital Tuesday after collapsing outside his home. He was 44.

Grace Baptist Church’s website says its congregation was founded by five black women in 1888.

He was one of the genre’s top stars in the late 1980s and early 1990s.

Dwight Arrington Myer was the titular member of Heavy D and the Boyz, which had hits with “Now That We Found Love,” “Who’s the Man” and “Somebody for Me.”

MOUNT VERNON, N.Y. A private funeral for rap legend Heavy D will be held at a historic black Baptist church in a northern suburb of New York City.

Paul McCartney to help restore Motown piano

DETROIT During a summer visit to a Motown recording studio, former Beatle Paul McCartney wanted to run his fingers along an 1877 Steinway grand piano played by some Detroit music greats he considers idols.

On Monday, the piano will be picked up from the Detroit museum and shipped to Steinway & Sons in New York for restoration. The work is expected to take up to five months.

“Steinway & Sons is honored to restore the historic Steinway piano that was used by such legends as Marvin Gaye, Smokey Robinson and Stevie Wonder and to do so in the very same New York factory where it was originally built in 1877,” Steinway & Sons President of Americas Ron Losby told the newspaper in a statement.

The piano company has to assess the piano’s condition before a cost can be determined.

Information from: The Detroit News, http://detnews.com/

Undaunted, the legendary rock and roller from England told museum officials following a July concert at Comerica Park that he wanted to help restore it.

___

“We’re especially proud, as an American company, to help the Motown Museum in preserving the legacy of the Motown Record Company, whose artists and albums played such a vital role in one of the great eras of American music.”

“He was disappointed when we told him it didn’t play,” Motown Historical Museum chief executive Audley Smith Jr., told The Detroit News for a story ( http://bit.ly/trOphs) Saturday.

Clooney Think Hollywood is cynical Try politics

Most performers “are pretty kind to one another,” Clooney told reporters ahead of a gala screening of the movie at the London Film Festival.

“It’s very hard when the product you’re selling to the entire country is yourself, and you’re just selling the hell out of it all the time. … We have to have it, and we need somebody who’s really good at it, but ego is something that was really tricky to embrace.”

“I think that the ‘hope’ part of the hope message has been tamped down a bit,” Clooney said.

LONDON George Clooney says Hollywood can be a ruthless place but it’s nothing compared to the world of politics.

Clooney, whose own private life is the subject of constant scrutiny, said he’s not tempted to step into the even more unforgiving world of politics.

Clooney has politics in the family his father made an unsuccessful run for Kentucky’s 4th Congressional District in 2004. But he said playing a politician was a challenge.

Clooney said the type of scandal the film depicts is universal, but thinks the public and media will have to grow more forgiving of politicians’ personal peccadilloes.

“Hollywood is a bit more forgiving,” Clooney said, “because they don’t expect us to be saints.”

Clooney said the movie, adapted from a play by Beau Willimon, is “a pretty cynical look at politics.” He has said he held off filming it amid the wave of optimism that accompanied the 2008 election of President Barack Obama. Three years later, amid political division and economic gloom, that positive mood is long gone.

“It’s all cyclical,” he added. “It’ll change back again. I feel fairly optimistic about the way our country works.”

“Playing a candidate is tricky because, you would think actors have a gigantic ego and they do,” he said. “But politicians have a tremendous amount of ego.

Clooney directed, co-wrote, produced and stars in the tale of a Democratic presidential contender, with Ryan Gosling as an idealistic aide swept up in a sex scandal in the final days of a closely fought primary campaign. The film also stars Philip Seymour Hoffman and Paul Giamatti as rival campaign managers, and Evan Rachel Wood as an ambitious intern.

“I think we’re going to have to get to the point where we just have to start, every candidate, with ‘Yeah, I did it’ and just go on from there,” Clooney said. “Because it’s going to be very hard to find people who haven’t smoked a joint or drunk some bong water along the way.”

“Because you’re so lucky if you get to the position where you get to be in a film,” Clooney said. “You’re very privileged, and you understand that it’s not just your brilliance that got you there, that you’re standing on the shoulders of a lot of happy accidents along the way.”

The star, who plays a U.S. presidential hopeful in “The Ides of March,” said Wednesday that “there’s a certain cutthroat element to the business” of moviemaking, but added that actors share a spirit of generosity that he doesn’t often see in politics.

Singing, dancing lead ABC to big ratings week

CBS averaged 10.8 million viewers in prime time (6.8 rating, 11 share), with ABC getting 10.3 million viewers (6.6, 11). Fox was third with a 7.8 million viewer average (4.6, 7), NBC had 6.8 million (4.3, 7), the CW had 1.8 million (1.2, 2) and ION Television had 990,000 (0.7, 1).

ABC is owned by The Walt Disney Co. CBS is owned by CBS Corp. CW is a joint venture of Warner Bros. Entertainment and CBS Corp. Fox and My Network TV are units of News Corp. NBC and Telemundo are owned by Comcast Corp. ION Television is owned by ION Media Networks. TeleFutura is a division of Univision. Azteca America is a wholly owned subsidiary of TV Azteca S.A. de C.V.

___

Even though ABC finished second to CBS last week, the Nielsen Co. said it was the most-watched week for ABC since November 2009, excluding the two winter weeks when the Academy Awards were shown. That’s traditionally ABC’s biggest week of the year.

Online:

___

A ratings point represents 1,147,000 households, or 1 percent of the nation’s estimated 114.7 million TV homes. The share is the percentage of in-use televisions tuned to a given show.

For the week of Nov. 7-13, the top 10 shows, their networks and viewerships: NFL Football: New England vs. New York Jets, NBC, 20.92 million; “NCIS,” CBS, 20.38 million; “Dancing With the Stars,” ABC, 18.16 million; “Country Music Association Awards,” ABC, 16.4 million; “Sunday Night NFL Pre-Kick,” NBC, 16.23 million; “The Big Bang Theory,” CBS, 15.89 million; “NCIS: Los Angeles,” CBS, 15.66 million; “Dancing With the Stars Results,” ABC, 15.07 million; “Two and a Half Men,” CBS, 14.71 million; “60 Minutes,” CBS, 13.07 million.

http://www.nielsen.com

“Grey’s Anatomy” had its largest audience since March. The show had its final fresh episode last week before going on a hiatus until next year.

NEW YORK Buoyed by country music and dancing, ABC had one of its strongest weeks in the television ratings in two years.

Among the Spanish-language networks, Univision led with an average of 3.8 million viewers (2.0, 3). Telemundo had 1.1 million (0.6, 1), TeleFutura had 500,000 (0.3, 0), Estrella had 230,000 and Azteca 190,000 (both 0.1, 0).

ABC aired the Country Music Association Awards last Wednesday and even though the audience was slightly off from 2010, it was still the fourth most popular program of the week. “Dancing with the Stars,” “Desperate Housewives” and “Private Practice” all had their biggest audiences last week since their season premieres.

News ratings were up with the Penn State child sex-abuse scandal breaking. NBC’s “Nightly News” led with an average of 9.4 million viewers (6.2, 11), ABC’s “World News” had 8.3 million (5.6, 10) and the “CBS Evening News” had 6.5 million (4.3, 8).

Lindsay Lohan strips down for Playboy

(Reporting by Bob Tourtellotte; editing by Sheri Linden)

She checked in late Sunday night and, due to overcrowding, was released after spending a little less than five hours at the facility.

Just last week, a judge determined she had violated probation on those charges as well as a separate 2011 charge for stealing a necklace from a jewelry store. The judge sentenced Lohan to 30 days in a Los Angeles jail.

Lohan, 25, rose to fame in Disney movies such as “The Parent Trap,” but as an adult her career has foundered.

Playboy had no comment beyond its one-sentence statement.

Separately, Lohan’s spokesman said she had completed a photo shoot, and will be on the cover of the magazine.

The Playboy spread will not be Lohan’s first nude magazine photos. She appeared partially naked in New York magazine in 2008 for a piece referencing Marilyn Monroe’s famous 1962 shoot with photographer Bert Stern. Monroe also famously appeared as a Playboy centerfold.

She has been in and out of legal trouble since a conviction in 2007 for drunk driving and drug use.

“The pictorial is absolutely fantastic and very tasteful, and will be accompanied by an interview that will let readers see another side of Lindsay,” spokesman Steve Honig said.

Speculation about a Playboy photo shoot has captured the media’s attention in recent weeks as Lohan has struggled with her ongoing legal problems.

Actress Lindsay Lohan, who served hours behind bars Sunday for violating probation on drunken driving and theft charges, will appear in the pages of Playboy next month, the men’s magazine and Lohan’s spokesman confirmed on Monday.

LOS ANGELES (Reuters) One day in jail, the next in Playboy.

In October, celebrity news outlet TMZ.com said Playboy offered Lohan $750,000 to pose, but the actress wanted $1 million. Playboy countered with a deal near that, TMZ said.

“Lindsay Lohan will be featured in Playboy’s January/February issue, which hits newsstands in late December,” Playboy said in a statement.

AIG reports steeper 3Q net loss

The company also took a $1.5 billion non-cash charge for aircraft in its International Lease Finance Corp. fleet. The charge is for older-generation planes that would be sold prior to the end of their previously estimated life.

At AIG’s Chartis Insurance unit, net premiums written rose less than 1 percent to $8.66 billion from $8.59 billion while claims expenses rose nearly 12 percent to $6.84 billion. Underwriting expenses climbed 15 percent to $2.89 billion. That left the company with an underwriting loss of $582 million, compared with a profit of $65 million a year ago. Its combined ratio was 106.4 compared with 99.3 a year ago.

The company said a declining stock market contributed to a loss of $2.3 billion in the valuation of its holding of AIA Group Ltd. shares.

On Monday, AIG made an additional payment of approximately $972 million, primarily from the release of funds held in escrow related to the American Life Insurance Co.

DES MOINES, Iowa Insurer AIG on Thursday posted a steeper third-quarter loss, undercut by declining interest rates and weak stock markets that reduced the value of its holdings while it paid out storm losses. It also took a big one-time charge for a fleet of older less fuel-efficient aircraft.

Reduced interest rates and widening credit spreads cut the fair value of other holdings by more than $974 million.

The latest repayment brings the insurance giant’s outstanding balance from the 2008 taxpayer-funded bailout down to roughly $68 billion.

Analysts surveyed by FactSet expected a loss of 22 cents per share.

The operating loss was $3.04 billion, or $1.60 per share, up from a loss of $114 million, or 84 cents a year ago.

The company has been paying back the billions of dollars the U.S. government provided in the 2008 bailout and now owes roughly $68 billion.

Combined ratio is the sum of an insurance company’s loss ratio and expense ratio and is used as an indicator of profitability. A ratio above 100 means that for every premium dollar taken in, more than a dollar went for losses, expenses, and commissions. A figure below 100 indicates an underwriting profit.

New York-based American International Group Inc. reported a loss of $4.1 billion, or $2.16 per share, compared with a loss of $2.52 billion, or $18.53 per share a year ago.

The government provided AIG with $182 billion at the height of the 2008 financial crisis.

In the SunAmerican Financial business, revenue fell 10 percent to $3.54 billion on lower premiums and investment income. Expenses rose 7 percent.

The government still owns 77 percent of AIG’s common stock. While the government made an initial sale of AIG stock last May, the expectation is that those stock sales will not resume until the value of AIG shares increase in value. AIG stock has lost nearly half of its value this year.

Shares rose 44 cents, or 1.8 percent, to close at $24.63 before the company posted results. That is below the $28.72 price where the Treasury would be able to recoup all of its investment in AIG.

Shares fell another 18 cents in after-market trading. They are trading at nearly half their value at the beginning of the year. They’ve traded as high as $52.67 in the past 52 weeks.

AIG also said its board authorized the repurchase stock valued at up to $1 billion. The timing of purchases will depend on market conditions, AIG’s financial condition, results of operations, liquidity and other factors.

The business posted catastrophe losses of $574 million up from $72 million of losses taken a year ago. Much of the current quarter’s loss was from Hurricane Irene, which struck the East Coast in August.

“Despite the difficult external environment, we are encouraged by the progress we’ve made and the underlying strength of our core insurance businesses,” CEO Robert H. Benmosche said in a statement.

AIG also paid the U.S. Treasury $2.2 billion in August, using proceeds from its sale of Nan Shan Life Insurance Co.

Summary Box Viacom’s 4Q earnings report, in brief

BOX OFFICE BONANZA: “Transfomers: Dark of the Moon” was a hit in theaters and for Viacom Inc., the parent of Paramount Studios, grossing more than $1 billion at theaters worldwide.

BEATING EXPECTATIONS: Net income excluding items and revenue both exceeded analyst forecasts.

THE BOTTOM LINE: Viacom rode the movie to net income of $576 million, or $1 per share, for the July to September quarter. Revenue rose 22 percent from a year ago to $4.05 billion.